Should Jewish Writers Keep Publishing in an Age of Rising Antisemitism?

When one Jewish writer publishes a novel that refuses to disappear, it signals to others: You can too.

Over the past couple of years, many Jewish writers have quietly asked me the same question: Is it worth it to keep publishing Jewish stories right now?

With antisemitism in publishing on the rise, in mainstream politics, on social media, and yes, within the literary world, it's no surprise the question comes up. But Jewish literature has always been written against headwinds, from czarist censors to quotas at Western universities to the publishing gatekeepers of today.

The climate in 2025 is unique, though. On one hand, we have unprecedented access to publishing tools — self-publishing, small presses, direct-to-reader platforms. On the other, we're seeing a chilling effect in certain corners of the industry:

• Editors quietly passing on manuscripts with overtly Jewish themes.
• Literary events welcoming Jewish identity only when it's diluted or reframed.
• Writers removing Jewish markers from characters to "avoid trouble."

I've seen it firsthand. One of my novels vanished from my publisher's website after the October 7 war — while other retired titles remained listed. And yet, even now, I believe Jewish writers must keep publishing. Here's why.

Silencing Jewish voices is not new — it's one of the oldest tactics of prejudice. Every time we pull back from publishing Jewish literature, we do the work of our detractors for them. Releasing a book with Jewish characters or Jewish themes is an act of cultural resilience.

Large, risk-averse publishers may shy away from "controversial" Jewish narratives, but smaller presses, niche imprints, and mission-driven literary journals are eager for them. These outlets know that Jewish literature is not a monolith — it spans every genre, era, and emotional register.

My advice: Seek out independent publishers already showcasing Jewish writers. Their readership is engaged and loyal.

In the past, authors depended on a handful of gatekeepers. Now? Jewish writers can build their own audience through newsletters, podcasts, social media, and live events. Many are bypassing traditional bottlenecks and finding readers who want authentic Jewish stories.

Posting statistics about antisemitic incidents is one thing. Pulling readers into the life of a Jewish character — lighting Shabbat candles in an unexpected setting, carrying a family history of exile, navigating identity in a mixed world — is another. Publishing Jewish literature fosters empathy that outlasts news cycles.

When one Jewish writer publishes a novel that refuses to disappear, it signals to others: You can too. Our literary tradition — from the Psalms to contemporary fiction — is one long record of people telling their truth despite opposition.

• Build Community: Connect with other Jewish writers, editors, and readers for mutual support.
• Know Your Allies: Identify agents, publishers, and literary spaces where Jewish voices are welcomed.
• Control Your Narrative: If traditional routes feel unsafe, explore hybrid or independent publishing to protect your story.
• Document the Process: Share your publishing journey — it inspires others and builds your readership.

Publishing Jewish stories in a time of rising antisemitism is not without risk. But Jewish literature has never existed in a risk-free world. Every novel, memoir, and poem is a light in the dark.

And history shows small lights can outlast empires.