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Carol Ungar on the upcoming publication of her cookbook Jewish Soul Food: Traditional Fare and What it Means. Dear Gila,I couldn't have done it without you!Carol UngarIt was fun editing a cookbook for the first time, if not a little fattening, but it improved my cooking skills and it's always a pleasure to work with Carol. Mazal tov! I look forward to part two.And to Pia Wolcowitz on the release of her novel The Nurse.Thank you for everything,Pia It was a pleasure to edit this novel and I wish Pia much success! I look forward to her next jump into adult women's fiction.Chana Bunim Rubin Ausubel whose memoir As Long as the Candle Burns is coming out this spring with Mazo Publishers. Thank you for choosing me as your editor, Chana. Your work is an important part of American Jewish history. Dear GilaYou were a marvelous editor!Love Chana

Flash into the Middle of Things by Gila GreenWhy do writers use in media res (Latin for “into the middle of things”)?  There is nothing new about this narrative technique, which we find in everything from Homer’s Odyssey to films, poetry and plays. In media res is neither a frame nor a story within a story nor a self-contained story. In media resallows the audience to jump into a story right in the middle of the action. If done well, the audience is quickly consumed by the narrative, even though many questions are unanswered. For example, if a story begins with a murder we do not know the victim, the motive, whose side we are on, but our curiosity is immediately addressed. In Flash fiction in media res can be particularly useful because of the very short word count allowed. Yet, I find many writers find it difficult to break away...

Have you ever seen any of these comments in the margins of your work?·                     Slow down·                     Uneven·                     Lacks climax·                     FlatIf you answered “yes,” you should immediately browse through your writer’s toolbox of literary devices for pacing solutions—specifically how to slow the pace down.One device many writers threw out of their toolboxes long ago was indirect writing.  Most of us were told by everyone from our high school English teachers to published writers in creative writing programs that direct writing is good writing and indirect writing is bad writing. That’s often true. But completely eliminating indirect writing is also a surefire way for many writers to ruin the pace of their work. They write each line so directly that the story is over before it begins; there is never any time to savor the scene, in particular the climax or mini climaxes; there is no hair-standing-on-end time; and no goose-bumps-down-the-arms moments because...

Hi, Gila!  Just wanted to let you know that my first flash piece, Bar Rag, was published by The Legendary (an online literary journal).  Less than a year after taking your course, not bad. ;)Go here & click on 'Joyce Barton' link:  http://www.downdirtyword.com/fictionpage.html(Or you can access it from the bio page: http://www.downdirtyword.com/authors/joycebarton.html )Just wanted to say thanks again; your class helped me get started with flash, and now I'm on my way.Hope you are well, and Happy New Year!~Joyce

When I tell people I teach a virtual flash fiction course, I often get strange responses bordering on laughter. Isn’t flash fiction just really short fiction? What’s the point of taking a specific Flash class?No, flash is its own genre deserving of its own class and in my opinion, it’s still underrated as a way to break into publication. But the increasing number of publication opportunities is only one benefit of Flash. It also offers a break to a lot of writers who might be burnt out with a novel or short story. In the main, you get a break from following those longer-length piece rules and who doesn’t need a break from ‘the rules’ once in a while to recharge?  Here are five rules most of us hear over and over again that you get to completely ignore in Flash:Tell don’t show. If you’re like me, you’re not the ideal...

This is the first in my blog post series on writing, particularly flash fiction. This post was on the WOW-Women on Writing site in 2013.Many writers think ‘brief’ these days. Short fiction is popular both on the internet and in print and whether you call it flash, postcard or micro fiction it all comes down to your story’s bottom line: reduce your work to its barest bones. One guideline is to eliminate literary devices. We are told that although we may write: “He was Usain Bolt in his running shoes, sprinting towards the hospital.” This is a no-no in flash. Change this to: He sprinted to the hospital. You just went from eleven to five words. This advice saves the writer six precious words. It also ups the story’s pace, intensifying the drama and focus and flash fiction is nothing if not about focus. What about the meaning of the story?...

My new writing class Create Memorable Writing has been updated and revised. Mark January 12 on your calendars.Enamored with the new short writing trend? Sign up for Flash FictionShort on time? Try my four-week short story mini publishing workshop

Classes in Flash Fiction and Literary Devices Begin October 27.Sign up for FlashSign up for Literary Devices INEW: Mini Course. How to Publish a Short Story.Loved Literary Devices I? Sign up for part two. 

My short story The Costume Room was a finalist for WordSmitten's 1010 Fiction Contest.Today Brian Henry posted it on his blog.

Thanks so much to Yael Shahar author of A Damaged Mirror,who invited me to participate in the current My Writing Process Blog Tour. Yael describes her book as an exploration between right and wrong; between choice and choicelessness, and the consequences of crossing boundaries. Check it out!This tour asks four questions that each writer answers before she passes on the virtual torch, so here goes:What am I working on? I just finished my second novel, Passport Control. I’m really excited about it as it is my longest work and I feel for me it means I have finally crossed the line from short story writer to novelist. Although, I have already published one novel King of the Class I was undergoing a transition with that novel from years of writing only short stories and some poetry. This time around I no longer had the ghost of a short story writer flitting...

http://wow-womenonwriting.com/classroom/GilaGreen_FlashFictionWorkshop.php

My humor flash piece Pithom and Ramses appears in CommuterLit this week.

Registration is open for new virtual classes beginning July 8.Bring your short fiction, novel or memoir up to publication level and meet writersfrom all over the world from your own home or office computer.Flash Fiction : http://wow-womenonwriting.com/classroom/GilaGreen_FlashFictionWorkshop.phpLiterary Devices I: http://wow-womenonwriting.com/classroom/GilaGreen_LiteraryDevicesI.phpLiterary Devices II: http://wow-womenonwriting.com/classroom/GilaGreen_LiteraryDevicesII.phpSince 2009, more than 100 writers have taken my classes from the USA, Israel, Canada, UK, Australia and South Africa. Many have gone on to publish, to win writing awards and to find online writing partners.

My short story Spider Places will be published in Ireland's The South Circularin their ninth issue on March 20, 2014.thesouthcircular.com

Jill participated in my Raanana Creative Writing Workshops and I was also lucky enough to work as an editor on her book David's Story, which explores her life and struggles living with a son with schizophrenia.She is also a recipient of the Israel Mental Health Award for her devotion and work in the field of mental illness.Today, I'd like to congratulate her on winning FIRST PRIZE in a short story contest as well as $500. I'm so happy for you, Jill. Keep striving for excellence.Jill's winning short story has been published live online at Dare to Dream page 2,http://www.dreamquestone.com/daretodream02.html .

Register Here: Publish Your Short Story Workshop

Many writers think ‘brief’ these days. Short fiction is popular both on the internet and in print and whether you call it flash, postcard or micro fiction it all comes down to your story’s bottom line: reduce your work to its barest bones.One guideline is to eliminate literary devices. We are told that although we may write: “He was Usain Bolt in his running shoes, sprinting towards the hospital.” This is a no-no in flash. Change this to: He sprinted to the hospital. You just went from eleven to five words. This advice saves the writer six precious words. It also ups the story’s pace, intensifying the drama and focus and flash fiction is nothing if not about focus. What about the meaning of the story? Has it changed? If the writer is pulling in a metaphor for speed willy nilly from anywhere, then no, nothing has changed. (If the writer...

Five Year Anniversary Observations: Online Literary Devices Class On the eve of completing five years teaching Literary Devices on the WOW-Women on Writing site—three semesters per year—it’s an auspicious time to note my observations and to look for ways to improve. Some observations (note I have rounded the percentages).Participants are overwhelmingly female at ninety-eight per cent. Not a great surprise for a site with the word ‘women’ in the title.Sixty percent are working on a short story, thirty percent on a novel and ten percent on a personal essay.An overwhelming ninety percent are writing in realism (historical fiction, coming-of-age, memoir, romance). Only ten percent write fantasy.The biggest increase in a genre is in the romance genre with a thirty percent increase since 2010! Fully half of my new participants are now writing in the romance genre. Not sure how to explain this. Romance has always been commercially popular.Thirty-eight percent of participants have self-published...

I will be speaking in Hashmonaim  November 20 with my friend and colleague Nicole Nathan.INVITATION: Kislev Reflection & ReadingIt is now Kislev, the month of dreams.  Dreams reflect the hidden light of the soul and open up space to examine and reflect, and the long winter nights provide us with an ideal time to withdraw and read.Join us for an evening of reflection and of light in the darkness preceding Chanukah as two women writers read from their new novels.Originally Canadian, Gila Green and Nicole Nathan have spent much time reflecting and have written novels that examine our spiritual state.Other upcoming dates for Author Talks (email me for final confirmation of dates)Hashmonaim Wednesday November 20Beer Sheva Monday November 25Maaleh Adumim December 7Bar Ilan University May 11-13You are invited! Bring a friend.

Author TalksIf you are in Israel and have a women's group, synagogue, charity, school or other organization that would like to invite me to speak about writing, publishing and/or my novel KING OF THE CLASS or if you'd like me to offer a writing workshop, email me: gila green  @ gmail. com (remove spaces) with 'author talk' in the subject line.I am happy to invite other Israel-based authors to speak with me about our books if you'd like to offer a group talk to your audience.Part of the proceeds will be donated to charity.

Watch the WOW site for details of my January 6 virtual Flash Fiction and Literary Devices classes.

Don’t forget to make a post-novel plan. What do you want to do now that your novel’s been out for a while? Write a new novel? Go on a book tour? Go back to your day job? Try a new genre? This is especially important if you are anything like me i.e., flounders without specific goals.Don’t respond to criticism. It’s an absurd expectation to think you will write a book that appeals to everyone. Thank them for reading your work and move on. Some comments might be indecipherable. One reader told me that I was admired and talented and then went on to write that the best thing for me would be to write a novel that had no Jews, no Israel and nothing to do with any religion whatsoever. That would be a book to read, if I’d only write it! Umm. Thanks. I think.   Don’t check Amazon’s author central...

I’ve been publishing short stories since 2006, but this year my debut novel King of the Class was released by a small literary Vancouver publisher (www.nonpublishing.com).I’ve received many questions from debut authors mostly asking ‘what worked.’ Here are ten things that worked for me. Ten things I’ve learned four months after publishing my first novel King of the ClassTarget freelancers for reviews. I spent hours emailing publications I felt shared my target audience. Hands-down most of them ignored me or sent me polite ‘no’ emails. When I discovered the freelancers who sell regularly to these publications, I had far more success. Find them by clicking on contributors’ names.  Only no means no. Perseverance works. No answer does not mean no. Once in a while I’d get an email: “Good for you for not giving up. I was so busy with X, but now I’d be happy to read your book”. Everybody...

My new story, Mother, Daughter, Mercenary forthcoming September 2013 with Noir Nation (crime fiction) and Still Life with Father in Arc Magazine forthcoming from the Israel Association of Writers in English.

King of the Class by Gila Green Vancouver: Now or Never Publishing, 2013; $19.95. 237 pages. ISBN: 978-1-92694-214-8 Reviewed by Julie Anne Levin In her gripping and heartfelt first novel, King of the Class, Gila Green sets a timeless tale of love and religion in a politically and technologically futuristic Israel. Among cyber pets and hoverboards, a self-proclaimed nonreligious woman, Eve, is guided by supernatural connections through a plot maze that includes a difficult marriage and her only son’s disappearance. Tapping deeply into the experience of motherhood, Green’s most moving moments depict a mother’s relationship to her unborn child’s soul and, then, to her young son. The story also convincingly examines the sometimes healthy and sometimes disturbing sacrifices parents make to serve their children.This fast-paced novel is set in an Israel in which the twostate solution refers not to Israel and Palestine (a situation only briefly mentioned in the book), but...

Sign up for Flash, Literary Devices I, Literary Devices IIhttp://www.wow-womenonwriting.com/WOWclasses.html#GilaGreen_FlashFictionWorkshop

Gila Green's King of the Class is at once a bold and unflinching examination of love and faith in harrowing conflict, while at the same time a spellbindingly suspenseful tale that kept this reader breathlessly turning pages. The book clearly heralds the debut of a brave talent and brilliant entertainer.  Steve Stern author of The Wedding Jester, The Frozen Rabbi, The Book of MischiefAs a chronicler of contemporary Israeli religious life I think Green has no rival. She tells the stories from the born again trenches without the heavenly jingles and praise the Lord sighs. This is the spiritual equivalent of a soldier’s memoir from the Iraq War. Jarhead for the religious crowd.  The last hundred and fifty pages of thriller are page-turners, and it is no small feat to turn the religious lives of a few thousand Israelis into a drama you could make into a movie of the week.Atar Hadari, The Antigonish ReviewGila Green’s...

King of the Class now available on Amazon