I'm thrilled to share with you that my novel Passport Control will be coming out with S&H Publishing October 2018."Many novels have attempted to orchestrate the impossible marriage of politics and human relations in the state of Israel, but few have presided over that perilous ceremony with the grace, affection, and emotional clarity of Gila Green's Passport Control.  A stunning achievement."Steve Stern, author of The Book of Mischief, A Plague of Dreamers, The Frozen Rabbi, and The North of God.What's it about?Miriam Gil flees Canada for Israel when her Israeli dad says he needs more room in their house — for his new girlfriend. Soon at university, living in a dorm with three bickering roommates, she falls in love with Guy, a former combat soldier who dreams of peace. Miriam is caught off guard when her visa and passport application are rejected on the grounds that she’s suspected of being a Syrian Christian. In rapid order, the university...

The Fiddlehead, Atlantic Canada's Literary Journal, accepted my story "Winnipeg 1987."Look for it in the autumn 2018 issue.

My short story collection White Zion is coming out with Cervena Barva Press.White Zion migrates between 19th century Yemen, pre-State Israel, modern Israel and modern Canada. Stories explore racism, alienation within the family unit, and the fall-out after generations of war.In a journey of generations from Aden to Palestine to Ottawa, one Yemenite family encounters new and difficult realities: racism and war, rejection and divorce, resourceful survival and tragic death. With smells of delicious breads wafting up from the page, embroidering detail upon detail in fine literary stitch, Gila Green draws us fully into her narrative, as she generously shares with us the hidden core of family life and the stories she is not afraid to tell. Yael Unterman, author of The Hidden of Things: Twelve Stories of Love & Longing. Voices in the collection include Assaf, a Yemenite boy growing up in pre-State Israel, Miriam, a young Canadian girl growing up in...

I took one of your classes and, you may remember, the story (The Storm) I wrote? Anyway I entered it in a contest and placed third which pleased me.Nancy SheltonSpringfield, MO

Please see my latest noir flash fiction in Akashic Books Mondays are Murder Series./

Come see me at WriteSpace for Spring Flash Fiction SeminarsCan't come to Jerusalem? Virtual Classes start May 11, 2016Eight Weeks Flash, Six Weeks Short Story, Four Weeks Mini Publishing Workshop. OR join me at the Jewish Women's Writers Seminar May 24

3, 2, 1, lift off…Come meet fellow writers and flex your writing muscles with guided prompts.Find out more about WriteSpace Jerusalem and meet a selection of our instructors:Jane Medved (poetry), Gila Green (flash fiction), Mitch Ginsburg (literarytranslation), Anna Levine (young adult & children), Sheffi Raiskin (bibliotherapy),Batnadiv Hakarmi-Weinberg (creative nonfiction), and Nadia Jacobson (fiction).Date: Thursday, April 7, 2016Time: 19:30-21:30Location: PICO Jerusalem, 4th floor, Poalei Tzedek 2, Talpiyot, Jerusalem (oppositeHadar Mall)Entrance is free of charge and light refreshments will be served.An additional perk: Receive 10% off your first seminar or workshop.Reserve your place:Subscribe to our mailing: www.writespacejerusalem.com/contact-us.htmlEmail: This email address is being protected from spambots. You need JavaScript enabled to view it.

 Focus on Flash Fiction Half-Day Seminar Date Options:​March 7 / 8 / 13 / 14  To Register and for more Info: WriteSpaceEveryone has time to read flash fiction. That’s one of the reasons why it’s become such a popular genre.What value is there to distilling whole stories into narratives under 1,000 words, down to even 6 words? We read fiction to build empathy, to explore new realities, to escape, Can you do that in so few words? Yes, you can.Flash is ideal for our modern short attention spans (though there’s nothing really new about it). The 21st-century reader has made flash fiction "in-demand" fiction. It’s ideal for our screens: tablets, smartphones, netbooks, and laptops. Reading a whole story on a single screen is an aesthetic experience and, best of all, it’s an increasingly sought after genre offered by small presses. There’s even a National Flash Fiction Day on, you guessed it, the shortest...

Some Flash to Read by Gila Green TMy Mom fought the fifties. I never knew. If anyone would have asked me I would have told them that my mother was straight-laced, demure, a Canadian Capital City poster girl, not just in character, but on the ground.In the photo I like best, my mother is a teenager, a head turner, a talent. She and her acting group have just returned from yet another triumph at the annual Dominion Drama Festival. Mayor Charlotte Whitton has come as part of the surprise welcome home to the young, gifted locals. The camera has captured the confetti in my mother’s bark colored hair and I imagine the scent from the rose petals overpowers the usual train station smells of machinery and cigarette smoke. Well, it’s not the usual train station atmosphere, it’s a party.The thought that she is going to be giving birth in six years time...

We just started this week, but there's still plenty of room and lots of time to catch up.Four Fantastic Virtual Workshops:Flash: 8 weekshttp://wow-womenonwriting.com/classroom/GilaGreen_FlashFictionWorkshop.phpLiterary Devices I & II 6 weeks: http://wow-womenonwriting.com/classroom/GilaGreen_MemorableWritingLiteraryDevicesI.phpHow to Publish Your Short Story 4 weeks: http://wow-womenonwriting.com/classroom/GilaGreen_PublishShortStoryWorkshop.phpOR if you're in the area, sign up for my four week workshop in Jerusalem offered through Temech. The JWWS network, in conjunction with Temech, is pleased to announce our FOURTH SESSION for all women writers…The JWWS Writers’ Educational NetworkFor WomenRegistration is via Temech’s office (02- 538-8665, press 0 and say you are calling for JWWS/ Writers’ Courses) and tell them you are registering for the next JWWS course that is to begin on Jan 19th. To ensure your place you must pre-register. These JWWS courses will be a pre-paid and pre-booked only in advance option.Price for full course, all four sessions: 200 NIS per personPrice for only one session at a time: 75 NIS per...

I have enjoyed the (Flash Fiction) course. I found the way you gave us pieces to study most helpful. The two lessons which gave me the most were those on sensory detail and pacing.Thank you,Regards, Eileen Cooke              Australia.

I often receive e-mails from class participants (Thank you. Keep them coming).One of the most troubling comments is this: I can write, but I can’t edit. This type of writer usually proves she really believes this when she sends in a new piece instead of an edited version or revision of a piece she’s already sent me.If this sounds familiar, you need to stop thinking this way because it hurts your chances of publication. This bears repeating. Stop selling yourself this line. I don’t know who made it up, but it’s got to go.All writers need some self-editing skills. This is not to say that writers don’t need editors. They do. I do. Still, at some point all writers must switch from writing to editing mode. Editing mode is not the same for all literary forms. If you are editing a Flash Fiction piece, your first goal will be to eliminate...

By Gila GreenWriters are forever hearing they need to improve their writing skills. No matter what we produce and how frequently, there’s always some well-meaning editor, fellow writer or classmate hinting that you can never learn enough about writing. Interpret that as you wish. Perhaps, you see great writing as an exercise bike you need to ride forever, or like a sink in which dishes grow (if it’s anything like my kitchen sink). Either way most of these messages are downers. The answers we’re given repeatedly once we ask that inevitable question: how does a writer improve her craft are often framed as more of a chore than a bowl of cherries.  No doubt you’ve read that writers have to be voracious readers, readers so starved for reading material that only the dry end of a book cover or sharp end of a kindle is true nourishment. Food is blasé in...

Dear Gila: This course has been superior so far. I can't thank you enough for your keen attention to detail and piercing critiques. A great learning experience!Also, thanks for your summary, How Not to Write flash. I see it covers most of the mistakes I've been making--so an invaluable guide. A great course, and I appreciate that you made it available to me over email. You're the best, Gila--may you thrive in your writing, editing, and teaching.Best wishes,Tom Allan

Flash Fiction (8 weeks)Create Memorable Writing with Literary Devices (6 weeks)Create Memorable Writing with Literary Devices II (6 weeks)Publish Your Short Story (4 weeks)

Hi, Gila! Hope you are well. Just wanted you to know about a flash market that’s very writer-friendly, a good place to land for some of your flash students who are looking for their first publishing credit (or have a good piece that doesn’t seem to fit with other markets): Every Day Fiction. I just had a piece published there (http://www.everydayfiction.com/campaign-button-by-joyce-barton/), and here was my experience:-Their response time was reasonable (90 days is their max; I heard from them in 88)-All 6 of their editors gave me comments/feedback on my story.-I was given the opportunity to make changes based on the feedback before publication, if I wished to do so (had a nice back-and-forth with one of the editors and added a sentence as a result)-Readers can comment and rate your story (1 to 5 stars), and the writer has the opportunity to respond to the readers (not something you see in most...

Fall Classes Begin October 5 and registration is open:FLASH FICTION WORKSHOP by Gila GreenHOW TO PUBLISH A SHORT STORY WORKSHOP by Gila GreenCREATE MEMORABLE WRITING WITH LITERARY DEVICES by Gila GreenCREATE MEMORABLE WRITING WITH LITERARY DEVICES II by Gila GreenNeed a little more time to catch your breath from summer?For the first time I'm offering two sets of fall classes. No need to wait for winter, but you can still pause a little longer than usual this year:November 16, 2015 registration is open CREATE MEMORABLE WRITING WITH LITERARY DEVICES by Gila GreenCREATE MEMORABLE WRITING WITH LITERARY DEVICES II by Gila GreenHOW TO PUBLISH A SHORT STORY WORKSHOP by Gila GreenFLASH FICTION WORKSHOP by Gila Green

The summer writing season has begun.If you would like a post on any particular topic, please send me your request.I'd be happy to consider it. Summer post by Gila GreenI have a confession. When I fill out forms in my kids’ schools or any other official forms —for some reason only schools seem to come to mind, but that’s another post—I always write ‘housewife’ under mother’s occupation and I instruct my husband to do the same. He always nudges me in the ribs with the same expression on his face, his jaw slightly lowered, his eyes at a half roll. “Because” I hiss at his unasked question. “How many times do I have to tell you?” This is normally enough for him to shrug his shoulders and follow my instructions. Would that all marital conflicts resolve themselves so easily.So, why don’t I put in writer or even editor?  Because I always, yes always,...

Dear Gila,BH my book will be delivered to me this week in print. This is the link. http://www.mazoproducts.com/cat/index.php?main_page=product_info&products_id=276It was wonderful working together and I greatly appreciate all the help and advice you provided me with, even after the editing was completed.Good luck with all of your future pursuits,Love Chana.Dear Gila,Here's the link to my short fiction piece - Silent Partners. The WOW! quarterly contests are a great way to get motivated and test your skills. I appreciate your interest so please feel free to share it with your Flash class. I would be grateful for any feedback/critique you or your class would like to offer! http://www.wow-womenonwriting.com/63-FE1-Fall14Contest.htmlThanks,Andrea 

There is still time to sign up!

There is still time to sign up!

Carol Ungar on the upcoming publication of her cookbook Jewish Soul Food: Traditional Fare and What it Means. Dear Gila,I couldn't have done it without you!Carol UngarIt was fun editing a cookbook for the first time, if not a little fattening, but it improved my cooking skills and it's always a pleasure to work with Carol. Mazal tov! I look forward to part two.And to Pia Wolcowitz on the release of her novel The Nurse.Thank you for everything,Pia It was a pleasure to edit this novel and I wish Pia much success! I look forward to her next jump into adult women's fiction.Chana Bunim Rubin Ausubel whose memoir As Long as the Candle Burns is coming out this spring with Mazo Publishers. Thank you for choosing me as your editor, Chana. Your work is an important part of American Jewish history. Dear GilaYou were a marvelous editor!Love Chana

Flash into the Middle of Things by Gila GreenWhy do writers use in media res (Latin for “into the middle of things”)?  There is nothing new about this narrative technique, which we find in everything from Homer’s Odyssey to films, poetry and plays. In media res is neither a frame nor a story within a story nor a self-contained story. In media resallows the audience to jump into a story right in the middle of the action. If done well, the audience is quickly consumed by the narrative, even though many questions are unanswered. For example, if a story begins with a murder we do not know the victim, the motive, whose side we are on, but our curiosity is immediately addressed. In Flash fiction in media res can be particularly useful because of the very short word count allowed. Yet, I find many writers find it difficult to break away...

Have you ever seen any of these comments in the margins of your work?·                     Slow down·                     Uneven·                     Lacks climax·                     FlatIf you answered “yes,” you should immediately browse through your writer’s toolbox of literary devices for pacing solutions—specifically how to slow the pace down.One device many writers threw out of their toolboxes long ago was indirect writing.  Most of us were told by everyone from our high school English teachers to published writers in creative writing programs that direct writing is good writing and indirect writing is bad writing. That’s often true. But completely eliminating indirect writing is also a surefire way for many writers to ruin the pace of their work. They write each line so directly that the story is over before it begins; there is never any time to savor the scene, in particular the climax or mini climaxes; there is no hair-standing-on-end time; and no goose-bumps-down-the-arms moments because...

Hi, Gila!  Just wanted to let you know that my first flash piece, Bar Rag, was published by The Legendary (an online literary journal).  Less than a year after taking your course, not bad. ;)Go here & click on 'Joyce Barton' link:  http://www.downdirtyword.com/fictionpage.html(Or you can access it from the bio page: http://www.downdirtyword.com/authors/joycebarton.html )Just wanted to say thanks again; your class helped me get started with flash, and now I'm on my way.Hope you are well, and Happy New Year!~Joyce

When I tell people I teach a virtual flash fiction course, I often get strange responses bordering on laughter. Isn’t flash fiction just really short fiction? What’s the point of taking a specific Flash class?No, flash is its own genre deserving of its own class and in my opinion, it’s still underrated as a way to break into publication. But the increasing number of publication opportunities is only one benefit of Flash. It also offers a break to a lot of writers who might be burnt out with a novel or short story. In the main, you get a break from following those longer-length piece rules and who doesn’t need a break from ‘the rules’ once in a while to recharge?  Here are five rules most of us hear over and over again that you get to completely ignore in Flash:Tell don’t show. If you’re like me, you’re not the ideal...

This is the first in my blog post series on writing, particularly flash fiction. This post was on the WOW-Women on Writing site in 2013.Many writers think ‘brief’ these days. Short fiction is popular both on the internet and in print and whether you call it flash, postcard or micro fiction it all comes down to your story’s bottom line: reduce your work to its barest bones. One guideline is to eliminate literary devices. We are told that although we may write: “He was Usain Bolt in his running shoes, sprinting towards the hospital.” This is a no-no in flash. Change this to: He sprinted to the hospital. You just went from eleven to five words. This advice saves the writer six precious words. It also ups the story’s pace, intensifying the drama and focus and flash fiction is nothing if not about focus. What about the meaning of the story?...

My new writing class Create Memorable Writing has been updated and revised. Mark January 12 on your calendars.Enamored with the new short writing trend? Sign up for Flash FictionShort on time? Try my four-week short story mini publishing workshop

Classes in Flash Fiction and Literary Devices Begin October 27.Sign up for FlashSign up for Literary Devices INEW: Mini Course. How to Publish a Short Story.Loved Literary Devices I? Sign up for part two. 

My short story The Costume Room was a finalist for WordSmitten's 1010 Fiction Contest.Today Brian Henry posted it on his blog.